Apple doesn’t give much guidance on this important chunk of text. “Write your Application Description with a focus on what makes the functionality or design of your app unique.” was a tip from this past June from the App Store Tips blog.

We know that 4000 characters is the limit.  And App descriptions are made up of simple text, including unicode symbols like checkboxes (✔) and more (♣☢☂).  Apple takes your unicode text and formats it for display on the web via Web Preview, in iTunes and on the iOS devices themselves (the app store).

Since you probably have very specific points you want to get across, and users have a very short attention span, you need to pay attention to how Apple will format what you write.  In this entry I discuss how to create app descriptions that look great everywhere Apple publishes your app description.

Word Wrap and the Fold

Word wrap occurs in app descriptions when enough characters fill up a line.  Each line has a maximum number of characters and when a word goes over that, it is bumped to the next line.  This is important because one word of word wrap can waste an entire line of potential ad copy.  This is important: the length of your lines in your app description affects the placement of the fold.

The fold is the point where iTunes, Web Preview or the iPad App Store app decide to make the user click or tap the More… button.  Everything below the fold is out of sight, out of mind.  Without the data to prove it, my hunch is that at least half the time, users are not bothering to click More… before deciding whether they are installing an app or not.

All this means is that you must use the space above the fold as effectively as possible.

All app purchase vectors limit the top of fold line display to three lines.  Two important rules here:

1. Blank lines count as lines.
2. Lines over 120 characters in length will lead to word wrap and the use of an additional line above the fold line.

App Description Formatting on iTunes and Web Preview

Web Preview and iTunes behave in a similar way, Web Preview is just that, a summary of your app description and screenshots along with a link to view the app in iTunes.  The final step on a computer is to have iTunes open to the page where the user clicks purchase to download the app.  A history of Web Preview and SEO implications may be found here.

Both iTunes and Web Preview show the same number of lines from your app description before the “break” point.  A break point is where all text is hidden below the fold, and the user must click the More… link to display the rest.

Let’s look at some examples. The following three shots were taken from Web Preview.  iTunes displays the same amount of information as Web Preview, however only Web Preview has fixed width.  Resize the iTunes app window, allows longer word-wrapping lines but ultimately the same amount of information above the fold as Web Preview.

Note: Click any images to see the full size.

Here the app publisher has chosen to highlight two specific sentences and put a line of space between them for readibility.  Note that if the first line was longer than 120 characters, top of fold would be a complete and a partial line (due to the wrap) and the third would simply be a blank space.

Here the app publisher has one long line of text with no carriage returns.  This means that all three allowable lines of text are the result of one word wrapped line.  This is the maximum amount of information you can cram into the top of fold, but it does not read very well here.  Wait until you see how ad copy like this looks in the iPhone’s App Store.  For your reference, this one line of text is about 343 characters in length.

Looking at the devices

Currently there are two different sizes in the iOS hardware family.  The long one, (iPhone and iPod Touch devices), and the wide one, (iPad devices).  In addition, there are three types of binaries, iPhone only apps, iPad only apps and Universal apps, which work on both iPhone (iPod Touch too) and iPad.

If your app is only for iPhone you need to focus on how it is displayed in the iPhone’s app store.  If it is only for iPad, you need to look at it there.  In either case you also need to look at how Apple’s relatively new Web Preview page displays your app description too.

App Description Formatting on the iPhone

Often users install apps directly on their device, rather than using iTunes and syncing a purchase.  It is certainly less clunky and you have instant satisfaction of getting to run the app right away.  That means your app description marketing copy should be influenced by how the lines of text look when displayed on each of these devices.

Here are some screenshots of how word wrapping of text affects readability on the iPhone App Store app.  Note that the iPhone app store app only supports portrait orientation.

Interestingly, a long line of text looks like a nice paragraph on the iPhone.  Also, Apple uses the bullet character to bullet features.

Note here that the long lines make the display of this text awkward and difficult to read.  (I use it anyhow!)

Note a few things here:

1. The first and third lines are used so Web Preview and iTunes display both lines top of fold.
2. The bulleted lists do not word wrap, (the max char per line is 45).
3. Unicode goodness makes it look crisp.
4. Attention goes to lines 17 and 18 in the app description.  They are the final ones before the user would scroll down to see the screen shots.

Here’s Rock Show’s Web Preview:

App Description Formatting on the iPad

The iPad app store app supports both landscape and portrait modes.  It also brings back the idea of the fold and its exposing link, “More…”  In this way, the iPad’s app store application is formated more like iTunes’ traditional display.  See for yourself by comparing iBooks Web Preview with the landscape view of the iPad App Store app. iBooks also happens to have a fancy custom background that 3rd party developers generally won’t have access to:

Conclusion

There isn’t an easy way to preview how your app’s text will look in all these different store fronts until after it is published , but you can at least know what you’re up against.

Experiment with your language and line length.  Every opportunity for a new installation of your software on an iOS device holds not only immediate, but residual value.  Since potential users may view your value proposition from a few different angles, pay attention to the quirks and write accordingly.

This of course affects those who have unauthorized charges to their credit card, and also those developers with apps in competition for rankings in the book category.

My guess would be that the unethical developer behind this push would also game up competitors apps so that it is unclear which is at fault or benefiting the most from the hacking.  It seems that Apple should have checks and balances to detect for and trigger a flag when a previously unpopular, over-priced iOS app is suddenly in the top 10.

Evidence of folks who have discovered hacks are currently in the comments for some of the apps that have made their way up through gaming.  Currently “Conan 3″ an app described as “this is a application to read book” by Thuat Nguyen is in position #9 in the books category today. One of the reviews is as follows:

Watch Out!

Someone out there is hacking into people’s iTunes accounts.  This just happened to me last night.  Luckily, my bank is right on top of things like this and did not authorize release of the funds and closed the account.  Keep a watchful eye on your account information….often!”

Here’s a screen shot of that app’s preview page as it stands. Here are a few tweets about folks getting their iTunes account hacked and an article from May on what the fallout when your iTunes account gets hacked.

Consider updating your iTunes password to include numbers, characters and capitalization!

Apple enthusiasts are often quick to point out that the iPhone would run out of batteries too quickly or the processor would not be strong enough to support snappy use of multiple applications.  This proves true in testing a jailbroken iPhone.  But the iPad Apple tablet does not get the same defense.  The carefully touted A4 chip should have no problem running a sophisticated 3rd party application and the native mail client at the same time.

This is big trouble as more complex games for the device are introduced.  For example Grand Theft Auto, The China Town Wars, is a complex 3D game recently released for the iPhone and iPod Touch. GTA: CTW has the potential to lose mission progress by dropping you back to your apartment every time the game is left unexpectedly.  While this clearly negatively affects the gamer experience, imagine how frequent push notifications begging gamers to leave for just a moment will affect more persistent, longer-session games like World of Warcraft.

The A4 is pretty tough chip and conceivably should have the ability to safely run multiple iPhone and iPod Touch applications, if not the more weighty future iPad-specfic titles.  So why isn’t multitasking being allowed?

Apple does not want people to use streaming music services like Pandora and Last.fm until it is ready with its own cloud-based, Genius-powered streaming music recommendation engine a seamless listening experience through the iPod application and iTunes.

Currently, the only ways to play back audio while running another application (crippled multitasking) are:

• Using the iPod application
• Downloading an mp3 or other audio attachment from an email and hitting play. (Plays back from within the mail application)
• Downloading an mp3 or other audio from the web. (Safari plays it back)

Similarly, the only way to playback streaming audio is using the Last.fm application, the Pandora application or a few other apps that use a recommendation engine to create lists of songs you do not own and stream them to you.  If Apple were to allow you to playback Pandora today on the iPad and work with the iLife suite to author documents they will be training you not to use iTunes!

“But they can’t get away with that!” That’s right, they can’t.  That’s why Apple will introduce its cloud-based iTunes offering either before or in tandem with the release of the next generation iPhone this coming around June. Using the brains acquired in the purchase of Lala, Apple will be introducing a mixed-mode local and cloudbased listening experience where any iTunes music collection can be played back in part on the locally stored disk or streamed from the cloud using an iPad.

Apple will use Genius to identify and stream audio to iPad users in its own competitive play against Pandora and Last.fm.  Once a strong streaming, Genius-powered solution is available to iPhone, iPod Touch and iPad users future devices will be able to multi-task all applications, including the most threatening, streaming audio services.

Jobs made it a point to illustrate Apple has 125 million credit cards on file through iTunes.  Every streaming audio selection that is in turn bought by the user can be facilitated using that payment information.  Not the case with Pandora or Last.fm!  Denying these applications the ability to gain traction gives the iTunes ecosystem time to evolve to include their services.  This will make the future allowance of multitasking apps delivering this music less impactful in pulling users away from greatest cash cow in software’s history: iTunes.

The idea is that the iSlate will communicate and be driven in part by nearby iPhones and iPod Touch devices over Wi-Fi or Bluetooth.  Authorized iPhone and iPod Touch devices nearby the iSlate will act as sophisticated remote controls.  This use case takes advantage of the user’s likely existing Apple hardware in the Touch platform and focuses on the fact that the iSlate will likely have a large, bright screen with a reasonable viewing angle. Let’s examine a potential killer application of this idea.

The tablet screen will be able to lie flat on a table between two or more people.  Through iTunes, the owner of the tablet will purchase an application that runs full screen on the tablet.  The publisher of the tablet application will also make available free applications that run on the iPhone and iPod Touch and communicate directly with the app running on the tablet.

Using the Apple Tablet as a Centerpiece to Electronic Board Games

A great example would be the classic board game, Scrabble.  In Scrabble, you have a board that requires physical placement of letters on a major center area.  It also requires players to keep the letters in their tray secret from other players.  In a Scrabble for the iSlate scenario, players need only to have an iPhone or iPod Touch to virtually hold their letters.

The iPod Touch or iPhone could vibrate or make a noise when it is a player’s turn and it would be used to send the results of the player’s decisions to the Apple tablet at the center of the table.

One important aspect of this is size, the traditional Scrabble board is a fair bit larger than the expected 10.1″ Pixel Qi powered display.  I believe that this type of thing could be overcome by the tablet giving intelligent focus to the most relevant portions of the board.  Additionally, the iPod Touch and iPhone could be used to manipulate the current viewing area on the tablet, or that area could be manipulated directly using standard multi-touch.

Many other board games would work in this scenario, including Monopoly, where you are handling all kinds of cash, property cards and frequent score calculations. The value you get out of the pairing of a Tablet and the iPhone is that there is a new bridge between physical social interaction and the convenience of an electronic presentation.

Using the Apple Tablet to Share Presentations in Small Groups

There are many other killer applications where the iPhone and iPod Touch serve as input devices to the iSlate or Apple tablet.  One I would use in my meetings for my iPhone application design company, Neutrinos, LLC is a business application is in small group presentations.  The tablet is set up to run a presentation application full screen.

The tablet is handed to one or more clients seated near each other.  The presenter uses an iPod Touch or iPhone to control playback of the presentation.  The presenter’s multi-touch device offers presentation notes, previous and next slide previews and allows them to trigger in-presentation events like animations or even jumping out to a web-view for the clients to explore.  This gives the presenter an opportunity to give a private and engaging presentation in the middle of any cafe, airport or public space.

Using the Apple Tablet for Illustration and as a Supplemental Display Area for Floating Windows

A final use case scenario for using the iPhone and iPod Touch to drive the Tablet is in illustration.  I’ve been working directly with Portland artist Carolyn Main who spends a lot of time with her Wacom tablet.  While the Wacom offers a great deal of pressure point precision that the Apple Touch Platform is unlikely to compete with any time soon, it is reasonable to think that app developers will try to deliver illustration and animation applications that allow creation on the go.

Having an illustration application like Adobe Illustrator running on the tablet, and then being able to use an iPhone or iPod touch for swatch, tool or layer management would leave more of the iSlate’s screen real estate for drawing.

In John Gruber’s recent post about the tablet he writes: “And so in answer to my central question, regarding why buy The Tablet if you already have an iPhone and a MacBook, my best guess is that ultimately, The Tablet is something you’ll buy instead of a MacBook.”  My suggestion is that people buy the tablet because they already have an iPhone or iPod Touch.  Having both a Tablet and a touch makes the Tablet more useful with some great use case scenarios the low-tech realm of board gaming to business.

Something I liked about the article was that it gave context to a technical social mashup idea I’ve been exploring, which is the increased use of near field communication (NFC) to increase one’s visibility in a meaningful way.  More specifically, people will use RFID tag readers in a mobile device like the iPhone to alert the world of their participation in entertainment experiences.

In The End of Solitude, Deresiewicz suggests the culture of celebrity is connected to the video camera, which I connect to broadcast television.  Regretfully, in the year when we could least afford it, reality TV gave rise to pointless distractions like the Balloon Boy and the White House Party Crashers.  But the article also describes the culture of connectivity as a product of the evolving use of computers and mobile communications in society.  As something of an evangelist for new media and a critique of old media, it is somewhat humbling for me to read Deresiewicz’s grouping of celebrity with connectivity in the contemporary self:

“Celebrity and connectivity are both ways of becoming known.  It wants to be visible. If not to the millions, on Survivor or Oprah, then to the hundreds, on Twitter or Facebook. This is the quality that validates us, this is how we become real to ourselves — by being seen by others. The great contemporary terror is anonymity.”

The value of different participatory entertainment activities runs the gamut.  A film at your local movie theater requires you to only buy a ticket before the film is sold out and ensure you show up at the scheduled time.  Getting yourself twenty feet from the stage at The Dead on July 4th at Rothbury Music Festival in Michigan requires a significantly greater level of planning.  But the relative interest in the social grid in any given activity is less important than the simple declaration to the post modern self that you “did it.”  People want to shout from the top of their literal or figurative mountains, “I am about to (or have just)  ____ at _____.”

Given that a lot of people love to share their experiences, many are simply limited by the inconvenience.  I’ve given some detail to my sense that there is a big splash still yet to be made by Apple’s touch platform.  And that the Touch lineup of the iPod Touch, the iPhone and the iSlate we will see a revolution in mobile computing.  They will allow us to enjoy the impulses of the modern self which are to take part in connectivity and some element of celebrity.

A topic that hasn’t been explored enough is the effect of including an RFID reader in a breakthrough device like the iPhone.  There is reason to believe that an RFID reader will be incorporated in the near future.   I believe that the inclusion of such hardware will open up opportunities to more quickly identify and disseminate interesting information about the entertainment spaces we’re inhabiting.

To illustrate a point, when I was writing the above paragraph I searched twitter for “Sherlock Holmes” which premiered this past weekend.  The third tweet from the top was from a student I’ve never heard of or met named Nicholas King.  From his Twitter bio, we know Nicholas is a student at Eastern Michigan and studies business.  Quite simply, Nicholas tweeted:

A quick search reveals that Trillium is a cinemas in Grand Blanc, Michigan and Nick was keeping his followers up to date with a text message from his phone.  While a text message accomplishes the goal of updating his thirty or so followers, it falls down for a few reasons:

1. Part of being fully connected is also having your information quickly sorted and grouped with similar data.  Twitter provides a reverse method for grouping information through its search.twitter.com functionality.  Users are capable of directly grouping their tweets with hashtags.  Both of those methods suffer the potential for data entry error.  I wouldn’t have known about Nick’s experience achievement if he had spelled it “Shelock Holmes.”
2. Manually updating your followers with the activity you’re participating in requires extended effort.  If you’re walking in the door of an RJD2 show you might have a drink in one hand and a gaggle of pals pulling you forward with the other. It isn’t always possible or at least socially acceptable to whip out your phone and type out an update.

The concept is this.  Sherlock Holmes is being distributed to theaters by Warner Bros Pictures.  In addition to sending out reels of film, Warner Bros would also send a small stand up display that is to be placed near the entrance to the theatre showing the movie.  If Nick carried an iPhone with an RFID reader, he would need only to wave his phone at the entrance and it would automatically pick up his preferences for sharing his location and the movie title he’s seeing via Twitter or Facebook.  More interesting things would be to automatically enter you in a contest for people who attended an Sherlock Holmes on opening weekend.

Another illustration to the benefits of adding an RFID reader to the iPhone in the realm of participatory entertainment is in live music or very large public entertainment events.  For instance, scanning the RFID tag in your section at a football game will identify the mobile capability to an application that could cue everyone to hold up their phones at a given time, display a particular set of images on the screen and turn the entire stadium into a megatron.  At a music festival like Rothbury, it might allow people to collect virtual zoo keys which turn an already amazing Sherwood Forest into something that is digitally enchanted.

The total extent to what could be done with connected devices incorporating RFID tags in combination with the impulse to reinforce personal visibility is impossible to see right now.  What is clear is that culture, technology and the increasing value of participatory entertainment rapidly is converging with all-in-one devices like the iPhone and iSlate.

Update 12/30/09:  A few additional things: 1. There is a strong sense that RFID will be most valuable for payment and wireless financial transactions.  The basis of my interest in RFID has been from seeing the NFC-enabled registers at places like McDonalds and Regal Cinemas.   When I first started seeing them, I would ask how often they took payment using the NFC at POS and I’d get blank stares from the employees.  MasterCard’s PayPass and American Express’s ExpressPay have been around for a while but have mostly only survived market tests as far as I can tell.

To look at how NFC/RFID payments and entertainment overlap, I love what it could do to damage the secondary ticket market.  I’ve long felt that secondary ticketing and scalping does more harm than good on the average would-be live entertainment participant.  Locking tickets to phones is a great way to help track and possibly reduce scalping while still allowing some flexibility in transferability.

There are some articles about how an RFID, NFC enabled phone are useful outside of entertainment which are worth linking to.  Here’s one that simply gooses the idea.  Here’s a second article that talks explicitly in terms of marketing opportunities.

Mando Diao - Blue Lining, White Trenchcoat

I was going to skip January, but then remembered this Mando Diao tune Blue Lining, White Trenchcoat.

This track begins at what sounds like a rail station and rips right into a piano driven frenzy.  Later on the song breaks down and then comes back together.

The lyrics are a lock often ending with the call for the blue lining, white trench coat:

“I’ve got my Armageddon boots, brown shades and brand new leather suit. Blue lining, blue lining, blue lining, white trench coat.

and

“I’m burning, like a combat zone, so sharp my senses cutting stone Blue lining, blue lining blue lining white trench coat”

This LP went on sale mid February, but for some reason is not available on Amazon.com or iTunes.

Listen to the track

Since I got the iPhone, I’ve been leaving iTunes open more and more.  And since version 8 was released, I’ve been trying out the Genius play list.  The genius can be good, but sometimes it sticks an odd track in there and you need to skip.  The bummer is that iTunes doesn’t support global hot keys.

I can’t listen to music on a computer and work if I have to flip back to the media player just to change tracks , so I finally got around to searching for a solution and came upon Jacob Hickman’s iTunes global hotkey project.   I like it so far–it adds a “toast” or little roll-up/roll-down status display when you skip tracks and has a fun Domo-kun tray icon.  Check it out, if you’re a PC iTunes user.